Inspired by a trip to the Emanuel Vigeland Mausoleum in Oslo, guitarist Ed Pettersen recorded this, his first solo guitar album, as a set of ambient/electronic recordings of long sustain and unexpected angles; seven tracks recorded live in the studio in London, and one recording in the Vigeland Mausoleum itself, using the resonance and 18-second decay of that space.

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersen on lap steel, and NO Moore on guitar.

After a NY session for a Giuseppe Logan album, guitarist Ed Pettersen and pianist & instrument builder Cooper-Moore recorded their own acoustic quartet with Cooper-Moore on piano, then headed to Nashville to record acoustic and electric improv sets, then finally this gospel set with "Reverend Eddie Bones", all presented on 3 CDs in a keepsake tin in a printed cloth bag.

Drawn from 305 traditional ballads from England and Scotland alongside their American variants, anthologised by Francis James Child during the second half of the nineteenth century, are here sung by Ed Pettersen in the fascinating intersection of traditional lyrics and experimental interpretations of melodies, performed by the 11-piece London Experimental Ensemble.

Drawn from 305 traditional ballads from England and Scotland alongside their American variants, anthologised by Francis James Child during the second half of the nineteenth century, are here sung by Ed Pettersen in the fascinating intersection of traditional lyrics and experimental interpretations of melodies, performed by the 11-piece London Experimental Ensemble.

Swedish saxophonist Martin Kuchen (Angles), US guitarist Ed Pettersen, and UK percussionist Roger Turner join together in London for a studio album of improvisations referencing the vastness of space through the exploration of textures and sounds, influenced by the "Interstellar Transmissions" album that improvised with the sounds of the Voyager spacecraft.

Two fascinating experimental concepts executed by Roger Turner, Henry Kaiser, Martin Kuchen, Damon Smith, Jeff Coffin, Ed Pettersen, Tania Chen, & Jordan Muscatello; Disc 1, each musician improvised alone to NASA recordings from the Voyager spacecraft, the results mixed together over the Voyager track; Disc 2, three improvisers play together in response to Voyager tracks.

The full two-hour performance of Cornelius Cardew's entire 193-page legendary Treatise graphic score, performed at Iklectik in London, England on January 28, 2017 in an 11-member ensemble of some of London's most interesting improvisers including participants in Scratch Orchestra, in a double CD release with liner notes by AMM founder Eddie Prevost.

A series of acoustic guitar duos between Henry Kaiser playing on an 18-string harp guitar, and Ed Pettersen, playing an 8-string Weissenborn guitar, freely improvised and with a psychedelic/cosmic impulse as the two draw on elements of Americana and roots-based folk music in four extended recordings, the camaraderie and mutual intent evident in this fascinating album.